Historical Movies in Chronological Order. HISTORICAL. MOVIES (HISTORICAL FILMS) IN CHRONOLOGICAL. ORDER(UNDER CONSTRUCTION - - I'm watching and writing about these movies. I can, but it is going to take awhile.) Used a lot of Wikipedia, IMDb and amazon. Patrick Louis Cooney, Ph. D., sociologist, historian, botanist. Copyright . Patrick Louis Cooney. P. S. ANCIENT MAN(hominids and man some 4 million years old. II. EARLY CIVILIZATIONS. II. 1 Egypt. (Nile River Valley)II. China (Yellow River Valley)II. Descargar pelicula Dvdrip Audio Latino HD la mejor calidad 1 link o 7 links por partes elige el mejor servidor de toda nuestra variedad. Manuel Ojeda, Actor: Por ella soy Eva. Manuel Ojeda was born on November 4, 1946 in Cabo San Lucas, Baja California Sur, Mexico as Jes LATER CIVILIZATIONS. III. 1. Foundation of the Roman Republic. III. 2. 2. American Revolutionary War. Siam (Thailand) &. Burma (Myanmar)VII. HISTORICAL MOVIES (HISTORICAL FILMS) IN CHRONOLOGICAL ORDER (UNDER CONSTRUCTION -- I'm watching and writing about these movies as fast as I can, but it is going to.USA. Post- Civil War Period. VII. 1. 2. Mexico under Juarez. Torrent anonymously with torrshield encrypted vpn pay with bitcoin. 1: 1,000 Places To See Before You Die: 10 O'Clock Live: 10 Things I Hate About You: 100 Code: 1 Seasons, 2 Episodes : 2 Seasons, 4 Episodes : 1 Seasons, 20 Episodes. Download new Persian musics, music video, concert, events and all news coverage around Persian music world on Farskids.com for free. VII. 1. 3. Race to. Poles (North and South). STIRRINGS OF REVOLT AND FREEDOM. IN THE SOVIET BLOCXIX. BOSNIA- KOSOVO- SERBIA WARXX. AMERICANISM VERSUS RADICAL ISLAMXXII. REJECTION OF THE SECOND AGE OF THE ROBBER. BARONS IN THE USAI. EARLY CIVILIZATIONSII. BC): First Dynasty (c. BC): Scorpion King 2: Rise of a Warrior. Scorpion King was of the. Early Dynastic: Upper. Egypt era from around 3. BC shortly before the founding of the First Dynasty (3. BC); he may be Narmer who unified Upper and Lower Egypt and was first. Egypt's First Dynasty. Fourth Dynasty (2. Land of the Pharaohs (1. Pharaoh Khufu's Great Pyramid of Giza, 2. B. C. 1. 55. 0 - 1. The Egyptian (1. 95. Sinuhe in Akhenaten's reign, 1. B. C. 1. 24. 9 AD, an Egyptian princess tries to drive out the Bedouin. Bedouins were. a predominantly desert- dwelling Arabian ethnic group X. El Mamalik (Revolt of the Mamalukes). Mameluke, Qutuz, came to. Egyptian throne; Mameluke sultans ruled Egypt; conquered by the. Ottomans in 1. 51. II. 2. 1. 70. 0 BC - 5. AD)Amrapali. (1. 96. Bimbisara. (5. 44–4. BC), founder of the first Magadhan empire, fights for the beautiful. Vaishali. Shakya Dynasty (c. India. Asoka (2. 00. India after the age of Alexander the Great, Emperor Asoka (2. B. C.)Shunga Dynasty (1. BC)Kanva Dynasty (7. Western Kshatrapas. Gupta Dynasty (c. AD) X Mayura (1. King. Mayurasharma (3. C. E.), a. scholar & founder of the Kadamba. Kingdom of Banavasi. Karnataka. II. 4. BC) and his brother Shamash- shum- ukin. English & Italian languages)Cortigiana di Babilonia (Queen of Babylon) (1. Babylonia rebels against the Assyrian empire, 6. B. C. L'eroe di Babilonia (1. Mesopotamian king of. Babylon, Nabonidus (reign 5. Belshazzar. and Babylon is overthrown by Cyrus the Great of Persia (Italian and Spanish languages; no. Intolerance (1. 91. Babylon that. leads to its fall to the Persians, 5. B. C. THE BIBLE - OLD. Genesis: The Creation and The Flood (1. Ermanno. Olmi) TVIn the Beginning (2. Moses. X The Bible: In the Beginning (1. Books of Genesis (Adam & Eve, Noah, Tower of Babel, Abraham, Sarah and. The Bible (1. 96. Italian. Abraham (1. Abraham, the founding patriarch of the Israelites, through his son Isaac (some. B. C.)X Abraham Our Patriarch (The Wandering. Jew) (1. 93. 3) - - X Noah's Ark (1. The story starts as a World War I drama. De. Mille. Moses the Law Giver (1. Moses (1. 99. 5) - -. X Prince of Egypt (1. Moses. Samson and Delilah. Cecile B. De. Mille with Victor Mature, Hedy Lamarr. B. C. Samson and Delilah (1. TV - -. Delilah betrayed by evil Sidka, governor of Gaza. Samson and Delilah (1. TV - -. The Story of Ruth. King David. David and Goliath. David kills the giant Philistine. King David (1. 98. King of Israel (ruler from 1. B. C.)David (1. 99. David. survives King Saul, adultery and internal divisions in his family to bring his. Solomon to be king after him. X Koning David (1. Dutch film about King. David. X Saul e David (Saul and David) (1. David's life with King Saul, the first king of the united Kingdom. Bathsheba (1. 95. King David steals himself a. X The Story of David (1. King David. Solomon and Sheba. King Solomon (9. 60- 9. Queen of Sheba. X Solomon and Sheba (1. Halle Berry. as the Queen of Sheba. La Regina di Saba (Queen of Sheba) (1. Italian black & white that should have been called. Rehoboam and Sheba X Solomon (1. Israel (9. 70 to 9. BC) and the son of David. United. and the final king before the northern Kingdom. Kingdom. of Judah split X Sins of Jezebel (1. Jezebel was a princess, the daughter of Ethbaal, King of Tyre, and the wife of. Ahab, king of north Israel; her paganism angers Prophet Elijah. Jeremiah (1. 99. 8) TV - -. B. C. Esther and the King. Esther saves the Jews of 4th c. Persia. (Joan Collins as Esther). Esther (1. 99. 9) - - remake of. Esther and the King (Louise Lombard as Esther)X Esther (1. Simone Benyamini as Esther)X. One Night With the King. Esther saves the Jewish nation (Tiffany Dupont. Esther)X The Thirteenth Day: The Story of. Esther (1. 97. 9) - - ABC one- hour special (Olivia Hussey. Liken: Esther and the King (2. Esther (Summer Naomi Smart. Esther)III. 1,5. 00 BC. Fight against Troy. Troy (2. 00. 4) - - Troy VII (1. B. C.). with Diane Kruger and Brad Pitt. Helen of Troy (2. Troy falls. to the Greeks (with Sienna Guillory)Helen of Troy. Rossana Podesta. X. Iphigenia(1. 97. 7). Greek army is about to. King Agamemnon slays a sacred deer and the gods punish him with the. Iphigenia (Greek language). La guerra di Troia (The Trojan Horse. Steve Reeves and Edy Vessel. X The Trojan Women (2. Shelley Delayne. The Trojan Women. Troy. (with Irene Papas). The Odyssey (1. 99. TV miniseries - - based. Greeks from Troy. Ulysses (1. 95. 4) - - his long. Troy. The Avenger)(1. Aeneas leads escapees from the. Trojan war to new land in Italy; starring Steve Reeves. Persian- Greek Wars: First Persian Invasion of Greece (4. Giant of Marathon (1. Steve. Reeves as Phillipides in the Battle of Marathon (4. BC) Second Persian Invasion of Greece (4. Spartan King Leonidas and. Spartans fight the Persians (under King Xerxes) at Thermopylae in 4. B. C. The 3. 00 Spartans. Greeks stand against the Persians at Thermopylae. Rise of an Empire (2. Greek battles of Marathon. Thermopylae, Salamis. Golden Age of Greece (Age of Pericles). BC). Socrates (1. TV - -. last days of Socrates, a philosopher who was a social gadfly in. Barefoot in Athens (1. TV - -. Socrates. Battles between Athens, Sparta and. Thebes (1. 96. 4) - - a group of Thebans fight to rid Thebes. Sparta,, 3. 82- 3. BCAlexander the Great (3. BC): Alexander the Great(1. Macedonian empire builder. William Shatner); made for TVAlexander the. Great (1. 95. 6) - - with Richard Burton Alexander the Great (2. Colin Farrell. Sikander. Alexander the Great) (1. Alexander the Great's. North- Western India. Rome). 2. 18- 2. 01 BCHannibal: Rome's Worst Nightmare (2. Hannibal marched 4. Romans in today's Italy. Cabiria (1. 91. 4) - - a young girl's odyssey at the time of Hannibal. Second Punic War (2. BC) - - focus on n. African front. X L'assedio di Siracusa (Siege. Syracuse) (1. 96. Roman siege. (2. 14- 2. BC) in Second Punic War. The Secret Under the Rose) (2. Lt. General Cornelius Scipio leads a group to. Hannibal and slowly. Meridian Army for themselves. X The Barbarians (Revak the Rebel) (1. Iberian Prince Revak from the small island of Penda that the Carthaginian fleet. Carthage; all he. Romans in the attack on Carthage (amazon. Scipione l'africano (Scipio Africanus: The Defeat of Hannibal). Italy's. epic film about the Roman general defeating Hannibal X. Scipione detto anche l'africano (Scipio the. African) (1. 97. 1) - - ancient Roman warrior Scipio Africanus (currently. Cartagine in fiamme (Carthage in Flames). Rome vs. Carthage during Third Punic War. B. C. The Centurion (Conqueror. Corinth) (1. 96. 1) – Battle of Corinth. BC) Spartacus and the Slave Revolt: Spartacus (1. B. C.; with Kirk Douglas. Spartacus (2. 00. TV mini- series. Spartaco (or Sins of Rome). Italian version of Spartacus. Gli invincibili dieci gladiatori (Spartacus. Ten Gladiators) (1. Spartacus. III. 2. Matthew) (1. 96. 4) – Jesus as a Marxist. Barabbas (1. 96. 1). The Robe (1. 95. 3). Peter and Paul (1. Peter may have been the rock, but it was Paul that spread. Christianity to the non- Jewish world. X Life of St. Paul (1. Christianity. X Life of St. Paul Series (1. 94. The Da Vinci Code (2. Catholic church fights and murders to prevent the world from. Jesus was mortal and had actually married Mary Magdalene. X Gli amici di Ges. Jewish Revolt against Roman rule. X San Giovanni - L'apocalisse (The Apocalypse) (2. St. John tries to save Christianity from Roman Emperor Domitian, 9. AD Pompeii. Last Days of Pompeii (1. Mt. Vesuvius erupted in 7. A. D. Vesuvius erupted 7. A. D. X Anno 7. 9: La distruzione di Ercolano (7. Destruction of Herculaneum) (1. Roman Emperor. Titus Flavius. III. 2. 4. 2. 60- 2. Septimia 4. 7 obia. Septimius Odaenathus. Prince of Palmyra and governor of province of Syria, takes over. Rome and establishes short- lived Palmyrene Empire. X The Magnificent Gladiator) (1. Roman soldiers capture Attalus (a. Hercules) and he become a great. Velida, the daughter of Emperor Gallienus. Nel Segno di Roma (Sheba and the Gladiator; Sign of the Gladiator) (1. Queen of Palmyra, Zenobia, revolts against Rome & is captured (under Emperor. Aurelian, 2. 70- 2. Italian audio)Constantine and. Cross (1. 96. 2) - - early 4th c. Revenge of the Barbarians) (1. Visigoth's sack of Rome, 4. Augustine (3. 54- 4. Augustine: The Decline. Roman Empire) (2. TV movie; 4. 30, Augustine tells his. Rome's too (English language)Attila (2. Attila (1. 95. 4). Sophia Loren. Sign of the Pagan. Attila the Hun threatens Constantinople. Rome. X In the Realm of the Knights Templar - -. Attila must go into battle; will he go into the dark times of the Middle Ages? BYZANTINE EMPIRE (4. X. La conquista de Albania (1. Louis of Navarre (1. Durazzo and the Kingdom of. Albania and Louis strives for their recovery. IV. Medieval England, Scotland, Ireland. Patrick: The Irish Legend (2. TV) - - English. Christianity in Ireland, 5th century. House of Lancaster (1. Henry IV, V and VIHenry IV, 1. X K! 9. 00 Sweden's House of Muns. Lombardy under German. Sword of War (Barbarossa) (2. Frederick I Barbossa (Holy Roman Emperor) is heavily defeated at the. Battle of Legnano near Milan on his fifth offensive against Italy. Lovers (1. 99. 1 film) - Wikipedia. Lovers (Spanish: Amantes) is a 1. Spanishfilm noir written and directed by Vicente Aranda, starring Victoria Abril, Jorge Sanz and Maribel Verd. The film brought Aranda to widespread attention in the English- speaking world. It won two Goya Awards (Best Film and Best Director) and is considered one of the best Spanish films of the 9. In Madrid, in the mid- 1. Paco, a handsome young man from the provinces serving the last days of his military service, is in search of both a steady job and lodging. He is engaged to be married to Trini, his major. Trini is not only sweet and pretty, but also has saved a sizable amount of money through years of hard work and frugal living, which will enable her and Paco to start their lives together comfortably. With a factory job lined up, Paco moves out of his barracks and look for somewhere to live until the wedding. Trini unwittingly refers him to Luisa, a beautiful widow who periodically takes in boarders and rents him a spare bedroom. Besides supplementing her income with boarders, Luisa engages in swindles with underworld contracts, and is not above cheating her partners by skimming money off her illicit earnings. Instantly smitten by Paco, the attractive Luisa quickly seduces her new tenant. Paco, frustrated by his unfruitful job hunt and by Trini's refusal to sleep with him until they are married, offers little resistance when Luisa seduces him, initiating an affair. He is dazzled with the sexual delight to which she introduces him. Trini feels a distance between herself and Paco, and while the couple is strolling in the street, she is surprised to see the . Waiting for Luisa to leave the apartment, Trini goes to Paco. At first, her tactic works and Paco reaffirms his love for her and they leave to visit Trini. However, Trini is no match for her rival as a lover and Paco cannot get Luisa out of his mind. When they come back to Madrid, Paco is willing to continue his twin relationship, but Luisa, who knows of Trini. Things become more complicated for Paco by Luisa. They have threatened her life, and Paco, attempting to aid his lover, suggests that he get the money by swindling Trini of her savings. Luisa would prefer that they simply kill Trini, but proposes that Paco should marry Trini, then steal her savings and run away with Luisa. Paco uneasily agrees. The plan is for Paco to propose marriage to Trini and bring her to the provincial city of Aranda del Duero where they have planned to purchase a bar. Under that pretense, Paco and Trini leave Madrid. Luisa follows them, unsure of Paco. While Trini is asleep, Paco steals the money from her handbag. He offers it to Luisa but pulls out of their plan to flee together. Luisa, very upset, tells him he's botched the plan, and when he tells her to wait and, . Paco retrieves the money, and, driven by guilt, he returns to Trini to explain the situation. After the disappearance of the money, Trini realized the fraud and understands that her love for Paco is doomed. When Paco comes back to the hotel room and confesses the plan, Trini locks herself in the bathroom and attempts to commit suicide using Paco's razor. She is thwarted by Paco breaking the window and snatching the razor from her. Later, as the two sit in the rain on a bench in front of the cathedral of the town, Trini refuses to forgive Paco, and tells him she prefers death to abandonment. Thwarted in her attempt to cut her own wrist with Paco. He does so, then rushes to the train station to prevent Luisa from leaving. Placing his bloody hands on her compartment window, signaling to Luisa that the mission has been accomplished, she gets off the moving train. The couple embraces passionately on the platform as the train pulls out. A title informs viewers that the police captured the pair three days later. Production & Back Story. The success of this production, made for TVE, compelled Producer Pedro Costa to develop a second part. The actual crime took place in the 1. La Canal, a small village near Burgos and so it was also dubbed as El crimen de La Canal (Crime at La Canal). The crime concerned a widow, Francisca S. Three days later, the couple was caught and never saw each other again. They were condemned to capital punishment, still prevailing by those years in Spain (not even their attorney wanted to defend them). Eventually, they got their sentences commuted and they served between ten and twelve years. The widow died of a heart attack just after leaving jail, and the young man started a new, anonymous and prosperous life in Zaragoza. A reinterpretation of the crime was built up during the pre- production of Los Amantes de Tetu. The script was written by Alvaro del Amo, Carlos Perez Merinero and Vicente Aranda using some elements of the actual crime and reinventing many others to recreate the background of the characters about which little was known. The TV project was halted from 1. Los Amantes de Tetu. It was going to be the last chapter to be filmed because Vicente Aranda was immersed in the making of a miniseries for TVE. By then, Aranda was initially reluctant to make another production for TV and proposed to expand the script and make it into a full feature film for the big screen. The events were moved from the 1. It was cheaper to recreate the period of the '5. Vicente Aranda considered the '5. The real life crime story was treated in the same way Billy Wilder did with the facts that inspired James M. Cain's novel Double Indemnity. Vicente Aranda explains: I told the actors that I felt something was lacking and that we needed something more explicit, a novelty. I opened a kind of contest and each one gave different options. Jorge Sanz came out with the idea of the handkerchief. The production was successful team collaboration. From the beginning at the preparation of the film, there was a spirit of team collaboration, something very positive that made our work fun. That scene filmed in front of the famous Burgos Cathedral was articulated around two popular Spanish Christmas carols, Dime, ni. The score was composed by Jose Nieto, often working with Aranda (Intruso, Celos, Juana la Loca, Carmen) and the film editor was Aranda. Equally noteworthy is the film. Alcaine is especially adept at evoking the . When Velasco declined, Aranda deemed Victoria was mature enough to play Luisa and proposed her to switch roles and take the one of the widow. She was reluctant, saying that she saw herself more as Trini, the sacrifice maid rather than the wicked widow. Victoria Abril was pregnant, by the time she gave birth and was ready to start the film she had had a change of heart and accepted to be Luisa. He would later become best known to English- speaking audiences playing the role of the young soldier who falls in love with four sisters in Belle . Sanz had won a Goya Award as best actor for Aranda. The three lead actors of Amantes had been together before in Vicente Aranda. Amantes forms with Intruso (1. Celos (1. 99. 9) a trilogy of films about love as uncontrollable passion that ends tragically. These three films directed by Vicente Aranda are loosely based in real crime stories. Analysis. The films portrays a mortal struggle between a strong phallic widow and a younger patriarchal woman for the love of a young man in a romantic love triangle. The widow derives her power from an intense sexuality and the religious idealism belongs to the young victim. Aranda thus sets up his central conflict with precision and power. Despite the physical beauty of the two women, it is the handsome young man who is treated as the primary object of desire. He is seduced by both women and is the object of the camera. Identified with the images of rural Spain, Trini is the traditionally stoically self- sacrificing embodiment of catholic Spain versus the modern vision of a newly emerging industrialized Spain, incarnated in Luisa who is identified with the city and with the iconography of foreign culture (Kimonos, Christmas tree ornaments), representing the modernizing version of Spain. Both are frequently robed in blue, a color feature in traditional pictorial representations of the virgin, and Trini takes with her a painting of the Immaculate Conception and hangs it in the hotel room just before her death. While Luisa directs her violent passions outwards, confessing to Paco that she murdered her husband, Trini turns them inwards on herself, following in the footsteps of her lame mother who threw herself in front of a cart after learning of her husband . From the moment she opened the door to Paco, wearing a colorful dark blue robe and draped with glittering streamers she is using to decorate a Christmas tree, Luisa appears as a profane alternative to the Madonna. Her body substitutes for the Christmas tree and all of its religious symbolism, offering eroticism in place of religious ecstasy. Not only she is the sexual subject who actively pursues her own desire and who first seduces Paco, but she continues to control the lovemaking. In a graphic sex scene, we see her penetrating his anus with a silk handkerchief and then withdrawing it in the moments of ecstasy. Despite her sexually dominating her young lover, Luisa remains loving and emotionally vulnerable. Paco response not only makes him obsessed, but he rejects the more traditional passive sexuality of his fianc. Staged on a bench in front of the cathedral of Burgos (the small town of Aranda del Duero in the film), the murder retains the aura of Christian ritual, especially since the minimalist representation of violence is limited to a few close- up of the victim. Earlier, Paco had sat on the same bench praying, observed by a beautiful young mother who was carrying a bright blue umbrella and tying the shoelace of her young son, a symbolic Madonna who seems to foresee the murder. Pressing his bloody hands against the window, he draws her off the train for a final murderous embrace, a shot that is held, then blurs and finally freezes, signifying the triumph of their passion.
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